Monday, August 10, 2015

The Future of the Asian TV Business ---- Pay-for-Content


The progression of media technology has been making huge differences in modern people’s life. New media have a huge impact on media industry, social media becomes one of many news resources; people can get information from variety terminals, such as smartphone, iPad, etc. New media will also change the future of mass media.

The literal meaning could explain the word “mass media”: the mass media are diversified media technologies that are intended to reach a large audience through mass communication. (n.d., wikipedia) However, social media create platforms where people can support others who share their passion. People don’t need to sit in front of a television, flicking the channels to seek programs that they are interest in. Instead, they can get and share interesting contents directly with people on social media. “People feel more and more pressed about the volume of information flowing into their lives. So, they customize the information flow in order to manage their lives well and in order to get the material that they feel is most relevant to them.” (Lule, J., 2012) In other word, traditional media outlets are no longer meet the audience’s requirements of seeking specific, personalized content. In this situation, extending the niche market will be a way to strengthen the competitiveness of traditional media.

Niche markets consist of group of consumers (market segments) within the larger marketplace who have a similar demographic, buying behavior, and/or lifestyle characteristics. (Thilmany, D., n.d.). According to Doctor Pedro: “the market for niche goods is relatively small and characterized by a low elasticity of substitution between varieties, as niche goods target very specific tastes.” (Bento, P., 2012)

A response to market segment is narrowcasting. Instead of broadcasting, narrowcasting focus on deliver custom-tailored contents to predisposed audiences. Two groups will benefit from narrowcasting: the audiences and the advertisers.


The Audiences:

As early as the 1970’s, Uses and Gratifications theory came up with an assumption that audience members are not passive consumers of media. Rather, the audience has power over their media consumption and assumes an active role in interpreting and integrating media into their own lives. Audiences are responsible for choosing media to meet their desires and needs to achieve gratification. (Katz, E., Jay G., Blumler, G., Michael, G., Winter, 1973–1974)

Today, on one hand, audiences are face with Content Ocean. Information comes from a variety channels, platforms, and terminals, which provides audiences countless choices. On the other hand, audiences with diversified, educational backgrounds, different financial conditionsdifferent occupations, and different ages have different interests. It is impossible for traditional mass media to meet everyone’s requirements. That explains why although there are hundreds of channels on TV, we still flick channel by channel, and can’t found one interesting program that draws our attention.

Narrowcasting, on the contrary, owns clear goals; is not intended to reach a large audience, but attempts to reach specific audiences though specific content. For example, there are fishing channels to provide fishing programs all days. There are two consequences, for people who love fishing. They might like to watch the fishing channel all day, while, people have totally no interest in fishing might not ever watch this channel. In this situation, most narrowcasting channels deserve extra subscriptions, so that they can continue produce programs for people who share the same passion. According to the Uses and Gratifications theory, and other research, “people are willing to pay for content, but only when they find value in it or in the experience of gaining access to it” (Brian, R., Fall, 2009)


The advertisers:

On April 11, 2014, Samsung Electronics released a fitness wristband with the world’s first curved 1.84” Super AMOLED® display. To promote this wristband, launching TV commercials could be a good ways. However, Samsung may not be willing to spend their advertising money on people older than 80-years, because there is less possibility that they wear this wristband and work out in a gym. Throwing adverting to the target audience will helps companies save considerable money, and bring better effect.

From another aspect, too much advertising will be very annoying to audiences. As a result, media conglomerates are looking for a better return for their money and dwindling adverting revenue. (Comtois, L., Spring 2012).

Narrowcasting channels do not only rely on adverting incomes. The subscriptions fee can help the channels to reduce the need of advertisings. Meanwhile, focusing on the target audience of the advertiser can help the channels increase ad rates. Take the fishing channel as an example; fishing gear and outdoor equipment companies can easily reach their target audience by posting advertising on the fishing channel. The audience no longer complains about irrelevant advertising; buying behavior is more likely with the audiences of this channel.


Narrowcasting in Asia
The rise of narrowcasting in America started in the 1980’s. With the decline of the Big Three NBC, ABC, & CBS and the broadcast method, the premium cable and pay TV networks emerged at the right time. With nearly 30 year’s development, narrowcasting in America is becoming mature. The graph below shows the growth trends of North American narrowcasting industry revenue. (Heitsch, R., May 2011)
Unlike the America narrowcasting industry, which has already become the predominant model of media delivery in American society today; the narrowcasting industry in Asia is still in beginning stage, which means the potencies and uncertainties coexist in the same industry.

According to research on 10 of the largest regional pay-tv operators in Asia, regional enquiry agency Media Partners Asia (MPA) expressed that until 2015, the profits of Asian is leading pay-tv operators will have an annual growth of more than 10%. In Southeast Asia, according to survey data from Media Partners Asia, by 2017, Indonesia's pay-tv penetration rate will increase from 1.8% to 16.3%; Thailand will increase from 3.5% to 8.7%. Meanwhile, India already has Nineteen million Pay-tv users in 2015. In Northeast Asia, China, Japan, and South Korea are the main forces for pay-tv development. (Xiong, F. & Ling, Q., December, 2011)

South Korea:
The financial crisis in 1997 hit the South Korean economy. At this grave time, the South Korean government came up with a legal provision for cultural industry called Framework Act for the Promotion of theCultural Industries. Until 2010, the outputs of the South Korean cultural industry was more than $65 Billion, it was 6.5 % of GDP. (Lin, P., Huang, H., Cai, W., June 2012) There is no doubt that South Korea has become a strong performer in cultural industry development. The pay-tv businesses also made remarkable progress in these years.

tvN is one of the South Korean pay-tv channels. Since it was founded in 2006, tvN developed quickly and it is now in to the forefront of the industry. The sitcoms made and broadcasted by tvN took both the number one and number two rating position in overall pay-tv sitcoms average rating in 2014. Moreover, according to ACNielsen’s statistics the Variety show, Three Meals A Day, broadcasted by tvN, beat interval television programs of terrestrial television channels KBS and MBC in the same time slot. In other word, the rating of tvN was higher than some channels that are free of charge. It is not an easy job to attain this achievement, especially for a channel that is younger than 10 years old.

The slogan of tvN is: “No. 1 Trend Leader”. To become the No.1 trend leader of the TV business, tvN targets a younger audience who is between 20 - 40 years old. The way to attract the younger audience is to break with the traditional South Korean drama and variety show pattern. tvN uses decidedly fresh material, singular storylines and new actors. Take the series Misaeng (The title translates to "an incomplete life") as an example; the story takes place in a workplace. It describes how a newbie struggles in a huge corporation and conquers daily problems with all the effort that entails. Because the series authentically shows the South Korean corporate culture and abuses, it has stuck a chord with young people who try to survive the fierce competition. At the same time, the series gives people hope, so that they could work harder. In one word, Misaeng has been getting some good responses; it was the television ratings winner for overall pay-tv in 2014.


Not only tvN, there are many pay-tv channels that also perform well, such as JTBC and OCN etc. It is a pleasure to see that there is healthy competition among those channels. Competition is the guarantee of high program quality. Continuing to put full emphasis on content and program quality will lead the South Korea pay-tv to have long-term development.

China:
The first set of Chinese pay-tv channels was launched in September 2009. As of 2011, there were more than 130 pay-tv channels in China; the user numbers grow from 300 thousand to 9 million, and the total revenue rose by 30 billion Yuan (about 5 billion dollars). However, at the macro level, pay-tv users only take 10% of the total TV users. The development is not satisfactory.

There are several reasons for this consequence. First, the quality of the programs is uneven. Take SiTV as an example, SiTV is one of four major paid channel platforms. It works both as program producer and operator. The company owns 15 pay channels. Some channels play very attractive programs, such as Channel Young. On its website, it clarifies its target audience as “the urban consumer group who pursued fashion trends”. This channel is like a fashion magazine; it shows people how to keep up with the latest things, and discover interesting places for people to go. However, some other channels belong to SiTV, such as Charming Music. It just plays the same programs and music videos weekly, and the music videos are from years ago.

The second reason is they use an unwise sales method. As I mentioned above, the biggest advantage of pay-tv is customization. People can choose the specific channels as their prefer. However, in China, the only way to purchase the pay channel is to buy the whole combo. If I want one channel made by SiTV, I have to buy a package that contains the other 14 Channels of SiTV. It just likes the old recording industry. If you like one song on an album, you have to pay for the whole CD. I think that is one of the reasons why people turn to play digital music today. I think this sale method not only limits the advantage of pay TV, but also challenges the customer’s right of choice.

Third, the audiences’ habit and video websites are another threat to pay TV. The Chinese audience is used to getting free stuff, they don’t understand why they need to pay extra money on TV since they could already watch the “free” channels. Meanwhile, the online video websites are under fierce competition. Those website do not hesitate to pay high cost of copyrighted material. As a result, I, as an audience, can watch the 6 seasons of modern family, and 4 seasons of two broke girls for free, as long as I watch all the pre-video adverts. All those programs have perfect English and Chinese subtitles. I can’t come up with a reason pay extra money on a TV channel, unless it has programs as hilarious as these two.

The Future
As Doctor Jack Lule wrote in his book: “Although different forms of mass media rise and fall in popularity, it is worth noticing that despite significant cultural and technological changes, none of the traditional media has fallen out of use completely.” (Lule, J., 2012) Even social media and online video has its power, the TV business will not fade out. After all, for most modern people, after a long day sitting in front of a computer and dealing with high pressure work, when they get home, turn on the TV and lay on the coach is a good way to relax. And for elder people, television is an old friend, which is easier to control.

As I mention above, there are a lot of research data that shows that pay TV has a good development prospect in Asia. Here are two suggestions for its future development.

First, the philosophy: “Content is king” is not a new concept for the media industry. No matter if it is new media or traditional media; the only difference is the channel for information dissemination. Attractive contents, useful contents are always the real reason for audience media use. Pay TV has a higher requirement for content. Again, “people are willing to pay for content, but only when they find value in or in the experience of gaining access to it (Brian, R., 2009).”

The situation in Asia in media developments is different in different countries. Some countries have more capital and resources, while they lack the experience to make good programs. On the contrary, some countries know how to make attractive programs while lacking of capital. The good thing is, those Asian countries have similar cultural roots, so that they could cooperate in the media field.

Second, technological development plays on important role in media industry development. There is no doubt that Pay TV involves technology support. Report indicated that the pay TV cryptosystems are being hacked to a different extent in Japan and Singapore. The hackers make kind of illegal STB, which allows people to watch all the channels for free. They sell the STB at a very low price online to make money. Improving technology can avoid this kind of lost and protect producers’ intellectual property.
 
Asia's population accounts for about 66.7% of the world's population, is one of the world's most populous continents. I believe pay TV will find its way to development within these audiences in the future.

No comments:

Post a Comment